Infinity Goes Up On Trial

Limited Edition Artist Book, Ed. of 5, 2013

24 x 17cm, 170 pgs.

Unique letterpress cover with wrap + Appendix book, structural floorplan insert, and loose print


INFINITY GOES UP ON TRIAL, 2011-

Can the image of an object replace the necessity of the material object itself? Can a catalog – a material collection of images – replace the necessity of the museum?
These are photographs of objects that exist only in text, word, phrase, song, lyric, or biographical story. There is a structure based on an enigmatic figure - an establishment built on anti-establishment. A defined structure, built on the undefined. The museum or institutional structure is in a sense then already broken. Content is based on an excavation of language – an archaeology of words dug up as physicalized things. This is an archive, inherently as an evolving form, in photographs, questioning its own existence, and – infinite. The book is in one sense a walk through a museum, through the main and ancillary levels, and the gaps between the collected information. A mixed experience of flat and three-dimensional space, an exercise in memory and perception in a museum, context and recontextualization, and Bob Dylan.
It is both a structure and a comment on structure - word, object, translation, music - as in this version the editing process was handed over freely to rhythm - of a few certain specific songs.



INFINITY GOES UP ON TRIAL, 2011-

Can the image of an object replace the necessity of the material object itself? Can a catalog – a material collection of images – replace the necessity of the museum?
These are photographs of objects that exist only in text, word, phrase, song, lyric, or biographical story. There is a structure based on an enigmatic figure - an establishment built on anti-establishment. A defined structure, built on the undefined. The museum or institutional structure is in a sense then already broken. Content is based on an excavation of language – an archaeology of words dug up as physicalized things. This is an archive, inherently as an evolving form, in photographs, questioning its own existence, and – infinite. The book is in one sense a walk through a museum, through the main and ancillary levels, and the gaps between the collected information. A mixed experience of flat and three-dimensional space, an exercise in memory and perception in a museum, context and recontextualization, and Bob Dylan.
It is both a structure and a comment on structure - word, object, translation, music - as in this version the editing process was handed over freely to rhythm - of a few certain specific songs.



INFINITY GOES UP ON TRIAL, 2011-

Can the image of an object replace the necessity of the material object itself? Can a catalog – a material collection of images – replace the necessity of the museum?
These are photographs of objects that exist only in text, word, phrase, song, lyric, or biographical story. There is a structure based on an enigmatic figure - an establishment built on anti-establishment. A defined structure, built on the undefined. The museum or institutional structure is in a sense then already broken. Content is based on an excavation of language – an archaeology of words dug up as physicalized things. This is an archive, inherently as an evolving form, in photographs, questioning its own existence, and – infinite. The book is in one sense a walk through a museum, through the main and ancillary levels, and the gaps between the collected information. A mixed experience of flat and three-dimensional space, an exercise in memory and perception in a museum, context and recontextualization, and Bob Dylan.
It is both a structure and a comment on structure - word, object, translation, music - as in this version the editing process was handed over freely to rhythm - of a few certain specific songs.



INFINITY GOES UP ON TRIAL, 2011-

Can the image of an object replace the necessity of the material object itself? Can a catalog – a material collection of images – replace the necessity of the museum?
These are photographs of objects that exist only in text, word, phrase, song, lyric, or biographical story. There is a structure based on an enigmatic figure - an establishment built on anti-establishment. A defined structure, built on the undefined. The museum or institutional structure is in a sense then already broken. Content is based on an excavation of language – an archaeology of words dug up as physicalized things. This is an archive, inherently as an evolving form, in photographs, questioning its own existence, and – infinite. The book is in one sense a walk through a museum, through the main and ancillary levels, and the gaps between the collected information. A mixed experience of flat and three-dimensional space, an exercise in memory and perception in a museum, context and recontextualization, and Bob Dylan.
It is both a structure and a comment on structure - word, object, translation, music - as in this version the editing process was handed over freely to rhythm - of a few certain specific songs.



INFINITY GOES UP ON TRIAL, 2011-

Can the image of an object replace the necessity of the material object itself? Can a catalog – a material collection of images – replace the necessity of the museum?
These are photographs of objects that exist only in text, word, phrase, song, lyric, or biographical story. There is a structure based on an enigmatic figure - an establishment built on anti-establishment. A defined structure, built on the undefined. The museum or institutional structure is in a sense then already broken. Content is based on an excavation of language – an archaeology of words dug up as physicalized things. This is an archive, inherently as an evolving form, in photographs, questioning its own existence, and – infinite. The book is in one sense a walk through a museum, through the main and ancillary levels, and the gaps between the collected information. A mixed experience of flat and three-dimensional space, an exercise in memory and perception in a museum, context and recontextualization, and Bob Dylan.
It is both a structure and a comment on structure - word, object, translation, music - as in this version the editing process was handed over freely to rhythm - of a few certain specific songs.



INFINITY GOES UP ON TRIAL, 2011-

Can the image of an object replace the necessity of the material object itself? Can a catalog – a material collection of images – replace the necessity of the museum?
These are photographs of objects that exist only in text, word, phrase, song, lyric, or biographical story. There is a structure based on an enigmatic figure - an establishment built on anti-establishment. A defined structure, built on the undefined. The museum or institutional structure is in a sense then already broken. Content is based on an excavation of language – an archaeology of words dug up as physicalized things. This is an archive, inherently as an evolving form, in photographs, questioning its own existence, and – infinite. The book is in one sense a walk through a museum, through the main and ancillary levels, and the gaps between the collected information. A mixed experience of flat and three-dimensional space, an exercise in memory and perception in a museum, context and recontextualization, and Bob Dylan.
It is both a structure and a comment on structure - word, object, translation, music - as in this version the editing process was handed over freely to rhythm - of a few certain specific songs.



INFINITY GOES UP ON TRIAL, 2011-

Can the image of an object replace the necessity of the material object itself? Can a catalog – a material collection of images – replace the necessity of the museum?
These are photographs of objects that exist only in text, word, phrase, song, lyric, or biographical story. There is a structure based on an enigmatic figure - an establishment built on anti-establishment. A defined structure, built on the undefined. The museum or institutional structure is in a sense then already broken. Content is based on an excavation of language – an archaeology of words dug up as physicalized things. This is an archive, inherently as an evolving form, in photographs, questioning its own existence, and – infinite. The book is in one sense a walk through a museum, through the main and ancillary levels, and the gaps between the collected information. A mixed experience of flat and three-dimensional space, an exercise in memory and perception in a museum, context and recontextualization, and Bob Dylan.
It is both a structure and a comment on structure - word, object, translation, music - as in this version the editing process was handed over freely to rhythm - of a few certain specific songs.



INFINITY GOES UP ON TRIAL, 2011-

Can the image of an object replace the necessity of the material object itself? Can a catalog – a material collection of images – replace the necessity of the museum?
These are photographs of objects that exist only in text, word, phrase, song, lyric, or biographical story. There is a structure based on an enigmatic figure - an establishment built on anti-establishment. A defined structure, built on the undefined. The museum or institutional structure is in a sense then already broken. Content is based on an excavation of language – an archaeology of words dug up as physicalized things. This is an archive, inherently as an evolving form, in photographs, questioning its own existence, and – infinite. The book is in one sense a walk through a museum, through the main and ancillary levels, and the gaps between the collected information. A mixed experience of flat and three-dimensional space, an exercise in memory and perception in a museum, context and recontextualization, and Bob Dylan.
It is both a structure and a comment on structure - word, object, translation, music - as in this version the editing process was handed over freely to rhythm - of a few certain specific songs.



INFINITY GOES UP ON TRIAL, 2011-

Can the image of an object replace the necessity of the material object itself? Can a catalog – a material collection of images – replace the necessity of the museum?
These are photographs of objects that exist only in text, word, phrase, song, lyric, or biographical story. There is a structure based on an enigmatic figure - an establishment built on anti-establishment. A defined structure, built on the undefined. The museum or institutional structure is in a sense then already broken. Content is based on an excavation of language – an archaeology of words dug up as physicalized things. This is an archive, inherently as an evolving form, in photographs, questioning its own existence, and – infinite. The book is in one sense a walk through a museum, through the main and ancillary levels, and the gaps between the collected information. A mixed experience of flat and three-dimensional space, an exercise in memory and perception in a museum, context and recontextualization, and Bob Dylan.
It is both a structure and a comment on structure - word, object, translation, music - as in this version the editing process was handed over freely to rhythm - of a few certain specific songs.



INFINITY GOES UP ON TRIAL, 2011-

Can the image of an object replace the necessity of the material object itself? Can a catalog – a material collection of images – replace the necessity of the museum?
These are photographs of objects that exist only in text, word, phrase, song, lyric, or biographical story. There is a structure based on an enigmatic figure - an establishment built on anti-establishment. A defined structure, built on the undefined. The museum or institutional structure is in a sense then already broken. Content is based on an excavation of language – an archaeology of words dug up as physicalized things. This is an archive, inherently as an evolving form, in photographs, questioning its own existence, and – infinite. The book is in one sense a walk through a museum, through the main and ancillary levels, and the gaps between the collected information. A mixed experience of flat and three-dimensional space, an exercise in memory and perception in a museum, context and recontextualization, and Bob Dylan.
It is both a structure and a comment on structure - word, object, translation, music - as in this version the editing process was handed over freely to rhythm - of a few certain specific songs.



INFINITY GOES UP ON TRIAL, 2011-

Can the image of an object replace the necessity of the material object itself? Can a catalog – a material collection of images – replace the necessity of the museum?
These are photographs of objects that exist only in text, word, phrase, song, lyric, or biographical story. There is a structure based on an enigmatic figure - an establishment built on anti-establishment. A defined structure, built on the undefined. The museum or institutional structure is in a sense then already broken. Content is based on an excavation of language – an archaeology of words dug up as physicalized things. This is an archive, inherently as an evolving form, in photographs, questioning its own existence, and – infinite. The book is in one sense a walk through a museum, through the main and ancillary levels, and the gaps between the collected information. A mixed experience of flat and three-dimensional space, an exercise in memory and perception in a museum, context and recontextualization, and Bob Dylan.
It is both a structure and a comment on structure - word, object, translation, music - as in this version the editing process was handed over freely to rhythm - of a few certain specific songs.



INFINITY GOES UP ON TRIAL, 2011-

Can the image of an object replace the necessity of the material object itself? Can a catalog – a material collection of images – replace the necessity of the museum?
These are photographs of objects that exist only in text, word, phrase, song, lyric, or biographical story. There is a structure based on an enigmatic figure - an establishment built on anti-establishment. A defined structure, built on the undefined. The museum or institutional structure is in a sense then already broken. Content is based on an excavation of language – an archaeology of words dug up as physicalized things. This is an archive, inherently as an evolving form, in photographs, questioning its own existence, and – infinite. The book is in one sense a walk through a museum, through the main and ancillary levels, and the gaps between the collected information. A mixed experience of flat and three-dimensional space, an exercise in memory and perception in a museum, context and recontextualization, and Bob Dylan.
It is both a structure and a comment on structure - word, object, translation, music - as in this version the editing process was handed over freely to rhythm - of a few certain specific songs.



INFINITY GOES UP ON TRIAL, 2011-

Can the image of an object replace the necessity of the material object itself? Can a catalog – a material collection of images – replace the necessity of the museum?
These are photographs of objects that exist only in text, word, phrase, song, lyric, or biographical story. There is a structure based on an enigmatic figure - an establishment built on anti-establishment. A defined structure, built on the undefined. The museum or institutional structure is in a sense then already broken. Content is based on an excavation of language – an archaeology of words dug up as physicalized things. This is an archive, inherently as an evolving form, in photographs, questioning its own existence, and – infinite. The book is in one sense a walk through a museum, through the main and ancillary levels, and the gaps between the collected information. A mixed experience of flat and three-dimensional space, an exercise in memory and perception in a museum, context and recontextualization, and Bob Dylan.
It is both a structure and a comment on structure - word, object, translation, music - as in this version the editing process was handed over freely to rhythm - of a few certain specific songs.



INFINITY GOES UP ON TRIAL, 2011-

Can the image of an object replace the necessity of the material object itself? Can a catalog – a material collection of images – replace the necessity of the museum?
These are photographs of objects that exist only in text, word, phrase, song, lyric, or biographical story. There is a structure based on an enigmatic figure - an establishment built on anti-establishment. A defined structure, built on the undefined. The museum or institutional structure is in a sense then already broken. Content is based on an excavation of language – an archaeology of words dug up as physicalized things. This is an archive, inherently as an evolving form, in photographs, questioning its own existence, and – infinite. The book is in one sense a walk through a museum, through the main and ancillary levels, and the gaps between the collected information. A mixed experience of flat and three-dimensional space, an exercise in memory and perception in a museum, context and recontextualization, and Bob Dylan.
It is both a structure and a comment on structure - word, object, translation, music - as in this version the editing process was handed over freely to rhythm - of a few certain specific songs.



INFINITY GOES UP ON TRIAL, 2011-

Can the image of an object replace the necessity of the material object itself? Can a catalog – a material collection of images – replace the necessity of the museum?
These are photographs of objects that exist only in text, word, phrase, song, lyric, or biographical story. There is a structure based on an enigmatic figure - an establishment built on anti-establishment. A defined structure, built on the undefined. The museum or institutional structure is in a sense then already broken. Content is based on an excavation of language – an archaeology of words dug up as physicalized things. This is an archive, inherently as an evolving form, in photographs, questioning its own existence, and – infinite. The book is in one sense a walk through a museum, through the main and ancillary levels, and the gaps between the collected information. A mixed experience of flat and three-dimensional space, an exercise in memory and perception in a museum, context and recontextualization, and Bob Dylan.
It is both a structure and a comment on structure - word, object, translation, music - as in this version the editing process was handed over freely to rhythm - of a few certain specific songs.



INFINITY GOES UP ON TRIAL, 2011-

Can the image of an object replace the necessity of the material object itself? Can a catalog – a material collection of images – replace the necessity of the museum?
These are photographs of objects that exist only in text, word, phrase, song, lyric, or biographical story. There is a structure based on an enigmatic figure - an establishment built on anti-establishment. A defined structure, built on the undefined. The museum or institutional structure is in a sense then already broken. Content is based on an excavation of language – an archaeology of words dug up as physicalized things. This is an archive, inherently as an evolving form, in photographs, questioning its own existence, and – infinite. The book is in one sense a walk through a museum, through the main and ancillary levels, and the gaps between the collected information. A mixed experience of flat and three-dimensional space, an exercise in memory and perception in a museum, context and recontextualization, and Bob Dylan.
It is both a structure and a comment on structure - word, object, translation, music - as in this version the editing process was handed over freely to rhythm - of a few certain specific songs.